Darren Edward Lone Fight
Darren Edward Lone Fight. MHA Nation. I am the first Indigenous tenure-track faculty at Dickinson College. My relatives are buried in the Carlisle Indian Industrial School cemetery, five minutes from my office. It is not incidental that I am here.
My work has moved from revision aesthetics to archival ontology to sovereignty architecture to interface theory. I follow the questions. The current work builds a theory of the interface as governance site, from Indigenous ground. Colonial governance operates through formatting: it asks the nation to appear as race, kinship as metadata, land as grid, ceremony as culture. That formatting is not incidental to power. It is where power lives. The theory names what is at stake when relation becomes data, and the full coordinate system of Indigenous responses to colonial formatting. It is general theory from Indigenous experience, applicable across domains. The book is in progress. The papers are in motion. The ideas persist under their own conditions.
I think in structural analogies, and I work shamelessly across every domain the questions require.
Work
PAVA
SRA, operationalized. NAGPRA pre-accession viability and compliance. Deployed at pava.tools.Lone Fight Systems
Founder. Indigenous-owned research and technology company. Systems built to remain answerable.Book Project
Four directions. Four chapters. The book is coming.Center for the Futures of Native Peoples
Founded. Handed off. $800k Mellon. Dickinson College.Teaching
Indigenous Futurism. Indigenous Intellectual Traditions. American Futures. Dickinson College.Writing
Persistence Conditions: Relational Ontology and the Infrastructure of Refusal
Preprint — ZenodoConstitutive Immobility
Immobile Knowledge for Mobility Scholars
Forthcoming, Transfers: Interdisciplinary Journal of Mobility Studies, “Ideas in Motion” Section.
Refuse, Refract, Relate, Return: Four Operations at the Interface
Forthcoming essayArchival Ontology and the Art of Indigenous Adornment: Wendy Red Star's Relational Care and Temporal Plaiting
Catalog essay — The Trout Gallery, Dickinson CollegeThe Indigenous Imposition: Settling Expectation, Unsettling Revision, and the Politics of Playing with Familiarity
Studies in American Indian Literatures — Vol. 31, 2019Press & Talks
"Creating an alliance and salvaging what you need … in order to resist something that seems completely unbeatable — that's a deeply resonant story."
"I like returning to the same piece of art multiple times. Tracking the evolution and change of my relationship to a piece can offer me something different — something I didn't see before."
"I try to make sure to visit them periodically just to let them know that I'm here, and that I know they're there."
"One of the reasons I took the job, frankly, was because there's good work for Indigenous Peoples that needs to be done in Carlisle … I'm more interested in pulling people out of this idea that when they think of an Indigenous person, they see a sepia-toned Indian riding into a setting sun — probably on horseback."